Infamous: Second Son is A Racist Stain on Sony’s PlayStation Legacy

Brilliant tech, edgy style, and completely botched representation

Alex Rowe
5 min readOct 8, 2024

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Delsin Rowe stands outside the “Akomish” longhouse in Infamous: Second Son, looking just to the right of the camera. The longhouse has a banner advertising a tourist-trap-style festival.
Actor Troy Baker painted darker to portray a fictional Native American man in 2014’s Infamous: Second Son. PS5 screenshot captured by the author.

Ten years ago, one of the first PS4 games I played was Sony and Sucker Punch’s much-hyped Infamous: Second Son. It was a marvel of new graphical technology, with a breathtaking-for-the-time open world city, tons of amazing hardware-accelerated physics effects for the game’s superhero combat — and the constant and tremendously unfortunate presence of popular voice actor Troy Baker depicted in digital redface.

I couldn’t stand it, so I bailed out after just a couple of hours of play — and looking back at it now it only feels all the more problematic. I’m shocked that it still exists at all.

Yes, Second Son is about a fictional indigenous man named “Delsin Rowe,” and I’m ashamed to share a last name with him. He’s a beanie-wearing 24-year-old street artist played by at the time 38–year-old Troy Baker, and he’s also of the entirely fictional “Akomish” Native American tribe. The game wears its indigenous representation as an incredibly awkward badge of honor, and it’s steeped in a pile of clumsy stereotypes rather than just incorporating real cultures from around Northwest Washington.

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Alex Rowe

I write about gaming, tech, music, and their industries. Erstwhile audio producer and video editor.